Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book Verónica Tello analyses how contemporary artistssuch as Tania Bruguera Isaac Julien Rosemary Laing Dinh Q. Lé Dierk Schmidt Hito Steyerl Lyndell Brown and Charles Greennegotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices which manifest across a range of contexts including Cuba the United States Australia and Europe represent an emergent global paradigm of contemporary art counter-memorial aesthetics'. Counter-Memorial Aesthetics Tello argues is characterized by its conjunction of heterogeneous signifiers and voices of many times and places generating an experimental non-teleological approach to the construction of contemporary history which also takes into account the complex disorienting spatial affects of globalization. Spanning performance art experimental ''history painting'' aftermath photography and video installation counter-memorial aesthetics bring to the fore Tello argues how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing tired if not also stubborn notions of national identity borders history and memory. Building on the writings of such thinkers as Michel Foucault and Jacques Rancière this book offers a useful concept of ''counter-memory'' for the twenty-first century. It shows how counter-memorial aesthetics is not only central to the nexus of contemporary art and refugee histories but also how it can offer a way of being critically present with many other often interrelated global crises in the contemporary era. . Language: English